翻訳と辞書
Words near each other
・ Antonio Laserna
・ Antonio Latimer
・ Antonio Latini
・ Antonio Lauro
・ Antonio Laviada Hernández
・ Antonio Lazcano
・ Antonio Leal
・ Antonio Lebolo
・ Antonio Lechuga Mateos
・ Antonio Ledesma
・ Antonio Ledesma Jayme
・ Antonio Ledezma
・ Antonio Leon (swimmer)
・ Antonio Leonelli
・ Antonio Leonviola
Antonio Leto
・ Antonio Leviste
・ Antonio León
・ Antonio León Amador
・ Antonio León Ortega
・ Antonio Licata
・ Antonio Ligabue
・ Antonio Lindbäck
・ Antonio Lining
・ Antonio Liozzi
・ Antonio Lizarbe
・ Antonio Llardén
・ Antonio Llidó
・ Antonio Locatelli
・ Antonio Loi


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Antonio Leto : ウィキペディア英語版
Antonio Leto
Antonio Leto (Monreale, Sicily, June 14, 1844 – Capri, Italy, May 31, 1913)〔( Biography in Treccani Encyclopedia ), Dizionario Biografico degli Italiani - Volume 64 (2005), by Francesca Franco.〕 was an Italian painter, painting mainly genre/landscape subjects in an impressionistic style.
==Biography==
In 1861, sponsored by his uncle, he moved to study in Palermo under L. Barba and Luigi Lojacono. He adopted the style and subject matter of Filippo Palizzi, In 1864, he moved to Naples where he was attracted to the ''Scuola of Resina'' style of painting fostered by Giuseppe De Nittis. He took lessons from A. Cecioni. He painted both in oil, tempera, and watercolor. By 1870, he had won a silver medal at the Mosta Artistica of Palermo with the painting ''Il Ritorno dal Pascolo'' and a gold medal at the Regional Exosition of Siracusa for ''La Bufera''. In 1872, he sent ''A Winter's day in Sicily'' to the Brera exposition.
In 1873, he joined in Portici with other painter of the Scuola di Resina, and travelled to Rome and met Francesco Paolo Michetti. In 1874 at Rome, he painted ''Alla Villa Borgese'' and ''Un contadino Romano'', exhibited at the 10th Promotrice in Naples. In 1874-75, he won a Sicilian stipend to study in Rome with his work ''La Raccolta delle Olive'' 〔''La Raccolta'' is at the Galleria d'arte moderna E. Restivo, of Palermo.〕
In 1876–1878, he traveled to Florence under the stipend. There he painted livelier cityscapes including ''Case a Viareggio'',〔''Case a Viareggio'' is at the Galleria d'arte moderna E. Restivo, of Palermo.〕 ''Ponte di Santi Trinita'', and ''Passeggiata alle Cascine''. After selling many of his works through the Galleria Pisani, in 1879 he moved to Paris invited by A. Goupil of the Goupil Gallery. In 1880, he painted ''Vecchia Parigi'' and ''Le bois de Boulogne''. In Paris, his contemporary painters were Giuseppe De Nittis, Domenico Morelli, A. Mancini, Vincenzo Gemito, A. de Neuville, Édouard Manet, and JL Meissonier.
By 1880, he returned to Palermo, where he decorated with lively vedute and genre scenes, the room of the Villa ai Colli (now Opera Pia Istituto Pignatelli).
After the 1880s, his health did not allow him to travel much, but he was prolific in sending paintings to exhibitions. He moved to Capri in 1882. His ''I funari di Torre del Greco'' (1883) was celebrated at the National Exposition of Fine Arts of Rome, and now hangs in the Chamber of Deputies.
Over the next decade many of this subjects focused on seascapes or seashore activities.〔( ''Dizionario degli Artisti Italiani Viventi: pittori, scultori, e Architetti.'' ), by Angelo de Gubernatis. Tipe dei Successori Le Monnier, 1889, Page 258.〕〔( Biography in Treccani Encyclopedia ), Dizionario Biografico degli Italiani - Volume 64 (2005), by Francesca Franco.〕
〔( Galleria Roma Biography ).〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Antonio Leto」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.